I was thrilled – utterly thrilled – to see this out of the window a few days ago….
It’ll take a while, it’ll be annoying and tricky, but go on… see if you can spot the plot for Urban Magic 6.
Jan
27
Permanent link to this article: http://www.kategriffin.net/2012/01/27/joyous-coincidence/
Jan
26
It’s been a few days since I blogged, and the reason is that my hand, currently looks like this:
It is not, I hasten to add, a life-threatening injury! There’s nothing broken, nothing bleeding, no bits are going to fall off. All I have are some rather bruised knuckles, and an impressive swollen thumb – hardly life threatening, but a real bugger to type with. I acquired these injuries while doing escrima, the martial art which I am continually surprised to find myself enjoying. I haven’t been hurt doing it before, and doubt I’ll be hurt doing it in time to come, as the instructors are alert and the students, generally, very careful. But it was while doing a drill with a rather more experienced student, that I realised there are certain key things required to be really good at martial arts. There’s strength… perhaps more debatable with weapons based combat, since a big stick is a big stick regardless of who’s holding it… there’s speed, agility, technique, focus – courage, I’d argue, is also useful as you need to be confident enough of yourself and your adversary to walk up to them with a cry of ‘come on with your big stick if you dare’ and thus hopefully avoid having to use all of the other qualities – and finally there’s awareness. The person I was sparring with has strength – lots of it – and technique – plenty, and enough focus that I sometimes wonder if he’s trying to fry an invisible ant on my forehead whenever we spar. What he doesn’t necessarily have, is a wider awareness of the rest of the room. Thus, when the teacher said ‘now block a side attack’ I went to block a side attack, and was startled to discover a stick coming inbound for my head. The good news is that the stick did not hit my head. The bad news is that to save my skull, I sacrificed a few other bodily parts en route.
Once through the initial indignity of physical distress, this entire experience is also a reminder of how difficult it can sometimes be, being the junior kitten in a room of senior cats. I am still fairly new at escrima, and so if someone with better technique, more experience and a look that could cut through titanium, decides that he’s going to swing his stick at your head when you’ve just heard the teacher ask him to try and take out a few ribs instead, what can a girl do? I did politely point out, while hopping with pain, that I expected him to go for the side rather than the top, but he informed me he believed he was doing all-round attacks and when it’s junior kitten’s word vs. senior cat’s word, and when senior cat has just removed junior kitten’s right thumb, I ask you again, what is a girl to do other than grin, bare it and hope there’s some arnica at home. I like to tell myself that the fact this man entirely failed to notice that I was now clutching a rapidly swelling limb, as he came barreling in with his next, very strong and beautifully executed attack, is more a reflection on my warrior spirit, than on his being a plonker.
Make no mistake – I still enjoy martial arts and don’t particularly blame my sparring partner, in the sense that it’s unusual for an attacker to declare their intentions before attacking. It turns out – and no one should really be surprised – that I am better at weapon fighting than close-quarters wrestling, owing, I suspect, to the fact that I lack any kind of strength or endurance, but can move quickly if pressed to and have a great advantage in terms of reach. However, considering that I am, in all other ways, forms and means, an utter wuss, I might just carry on thinking about these things as purely an academic exercise…
Permanent link to this article: http://www.kategriffin.net/2012/01/26/whoops/
Jan
23
I keep notebooks – a little obsessively, it turns out. When I had to go to Kent for rehearsals last weekend, I got on the train with pen and notebook in hand, only to discover that my notebook was only one page from being finished. That one page didn’t last me to Ebbsfleet, and for thirty five, stressful, borderline traumatic minutes, I had nothing on which to write. Needless to say, I always have a reserve notebook for just these emergencies, but had, in a moment of naive foolishness, left my reserve at home in London, and so on arrival in Canterbury I had to race to the nearest stationer and get a new notebook, or suffer the dire psychological consequences.
I also have a slightly obsessive relationship with pens. I write all my novels on the computer, because it’s far faster and, interestingly, the speed at which I write changes my narrative voice. But I take a lot of longhand notes first – not just on books, but on things I’m studying, on lighting cues gone astray, and on things I need to get done before the day is out. Writing in biro is, I find, a rather tedious thing, which always makes my handwriting messier and the weight of the pen on the paper feels tiring. Writing in fountain pen is better, but here is another complexity – I don’t always write left-to-right. Frequently I write from right-to-left, and need a pen which can handle this indignity. I hate expensive fountain pens, because they seem like something just waiting to be lost, and have, over the years, formed a deep and loving relationship with the £2.49 fountain pen that Rymans sells for schoolkids, as being one of the few which I can coax into moving easily over the page, with my eccentric handwriting…
Permanent link to this article: http://www.kategriffin.net/2012/01/23/my-notebooks/
Jan
20
Good god, where did January go? We are now, officially, only 6 weeks from the publication of the Minority Council. For lo! The cover has appeared on the blog, and you can read more about the book in the books section… and yes, it’s all getting a bit imminent really. I would celebrate on the day itself, but exasperatingly I’ll be in a technical rehearsal, struggling, sweating and cursing my way through a lighting plot. I might indulge in a bit of extra cake, however…
For those who are wondering, my warning remains – do not read this book on the kindle. For my full rant on the theme of why, I suggest you look back through the blog, where you will discover a bitter tirade about the inability of kindles to cope with columns. I know it may seem odd, it may seem petty, but honestly, when you get to the bit where suddenly it’s important, you’ll find it’s really very, very important. I have no idea if there’s a hardcover version – my instinct is no, but I really dunno – but for everyone who’s just looking for a simple tale of fairy dust, monsters, sorcerers, Aldermen and things not to do while high in Canary Wharf, the paperback is getting pretty damn imminent!
Permanent link to this article: http://www.kategriffin.net/2012/01/20/march-1st/
Jan
18
Well it’s stonking, isn’t it?
‘Nuff said, my work here is done….
The basic facts are easy and fairly well known. The original St. Pauls Cathedral died a horrid death during the Great Fire of London in 1666, along with most of the city and several million rats, a large number of which were carrying Black Death so good riddance really. The brand spanking new St. Pauls Cathedral which we all know and love was built by Christopher Wren as part of his plan to remodel London post-fire into a glorious new, shiny city. Unfortunately all Christopher Wren’s good intentions were rather undermined by the determination of the people of London to get on with things regardless of whether the city looked good or worked well around them while they did so, and thus only a few icons of Wren’s metropolis were actually ever built. St. Pauls Cathedral, I think we can all agree, is a pretty stonking symbol of what might have been.
Although it is still very much a house of God – something I, as an athiest tourist find a little disconcerting, to be honest – there is a £17 entry fee to anyone not intended to say friendly things at the Creator, except for a few rare days of the year. One of these days – that of the Lord Mayor’s Show – was the day I went for precisely this reason, with my favourite stage manager and script supervisor, to have a nose round the interior. The crypt famously houses a whole host of bigwigs, of whom Horatio Nelson has got the first class ticket booth, no question. Rather less well known is that the crypt was also the place where my Great Uncle Reg (I kid you not) spent a large part of the London Blitz hiding out playing cards. He, along with four other artists serving with the fire service, had been conscripted into fire watch duty from the top of St. Pauls, on the rather naive belief that, as artists, they’d care passionately about the fate of the historical landmarks around them. However, as the bombs fell and large parts of the city burnt, it seemed that art lost out to the wonders of a well-insulated, underground, reinforced bunker beneath a cathedral…
Miraculously, and perhaps despite my Uncle Reg rather than thanks to him, St. Pauls survived the Blitz unscathed and has, in recent years, been cleaned, revealing that its soot-grey stones are in fact bright white marble. Tourists now surround its dome, which still commands a fairly respectable view of the city, while more tourists go into the Whispering Gallery just inside the dome where, so the stories go, you can put your ear to the walls on one side of the gallery, and someone can whisper into the stones on the other side, and you will hear them speak as if they were stood right next to you.
Two minutes walk from the Millennium Bridge, and ten minutes from London Bridge, Blackfrairs, Holborn, Clerkenwell and Bank, the cathedral itself is now something of an island in a sea of one-way traffic systems. It’s also still a camping ground for the Occupy London protestors, who are camped out (very neatly now) in front of its steps. This is not the entry in which I discuss this particular movement, except to say that there’s a lot to protest about at the moment and I’m quite chuffed someone is doing it, even if I question some of the tactics involved…
In other trivia, St. Pauls Cathedral was the centrepiece for the final showdown of the first Horatio Lyle novel, in which the laws of physics were used and then really rather abused to, I think, spectacular effect. For anyone out there who doesn’t know what I’m talking about… go read…
The photos below are nearly all taken by Gina Pratsis, my favourite script supervisor, except for the exterior shot, which is mine!
Permanent link to this article: http://www.kategriffin.net/2012/01/18/st-pauls-cathedral/
Jan
16
Ronald Searle died a few weeks ago, and this is a brief blog entry to commemorate the fact. For those who don’t know, he was an artist, most famous for the Molesworth books and St. Trinians – he also drew a series of very famous images from his time as a Japanese POW during the Second World War, when he traded portraits of his captors in exchange for paper and charcoal, creating a stark and rightly renowned visual documentary of his time as a prisoner of war. He was also, via marriage, my Great Uncle, and though I barely knew him, a drawing he did of my Grandfather’s cat, sits in pride of place above my parent’s mantlepiece, and a fatter, more indulged blue-grey moggy you can barely imagine. As a primary school kid, I was introduced to Down With Skool, one of the wittiest, most charming books I have ever read, as an incentive for attending dyslexia class in what was, I now realise, a sublime piece of convoluted psychology on my mother’s part. As it turned out, I wasn’t dyslexic in the least, but it hardly mattered as I had been introduced through this experience to some of the most brilliant drawings and cartoons I’ve ever met. For anyone who hasn’t seen any of Ronald Searle’s work, I suggest you go looking, and it will doubtless last for many generations yet to come.
Permanent link to this article: http://www.kategriffin.net/2012/01/16/ronald-searle/
Jan
14
Argh!! Hate ‘em! Hate ‘em hate ‘em hate ‘em! I hate the automated voice that goes ‘Hi there!’ and the way it announces, ‘right, I’m just waiting for that…’ as if it’s anything other than a binary algorithm designed to weed out that percentage of the population with a high blood pressure and dubious coronary system! I hate the tinned music they play at you as if somehow phoning your electricity company is an inspiring and life-affirming event, I hate the relentless bureaucracy that always wants my name, age, martial status and financial prospects before it’ll tell me how much I’m being robbed, I hate – oh and this is something I REALLY hate – I hate the way they continually take money from my account even when, by their own admission, THEY owe ME several hundred pounds! I hate being invited to get paperless bills and then not receiving them by email, hate the cheerful, chipper font and happy smiling cartoon-figures pasted over the paperwork with which they eventually do inform me that they’re raising prices despite their obscene profits in the last financial quarter. I hate arguing with them when they’ve got it wrong, hate moving from one to the other when they try to claim that such a thing Cannot Be Allowed, hate the calls from my providers informing me that if I was a new customer, I could get this amazing package, followed by the incredulity – no, the indignation! – at discovering that I’m already a loyal customer and thus can’t receive anything of any note whatsoever. I hate the difference it makes between getting two different types of people at a call centre – the chipper cheerful ones who I really do feel guilty about arguing at, and the dour, sour, more-than-my-jobsworth gits who perpetually put you on hold without saying a word, and inform you that they Do Not Have The Authority To Authorise That Transaction.
I hate utilities companies!!
Permanent link to this article: http://www.kategriffin.net/2012/01/14/utilities-companies/
Jan
11
Well it took a while.
About 3 months in fact.
Which is, I realise, about as long as the book took to write! Whoops. If there was ever proof for the hypothesis that two perfect words are harder than 140,000 rambling ones, there it is. But! After a lot of stress and angst, I believe we have the final title for Urban Magic 5! Welcome, dear reader, to Stray Souls…
Permanent link to this article: http://www.kategriffin.net/2012/01/11/stray-souls/
Jan
07
Highgate Cemetery. I’d been meaning to go for years, as it seems a disgraceful thing to class yourself as a proper, let’s-turn-it-all-to-fictional-uses Londoner and not go to Highgate Cemetery. It’s famous beyond the boundaries of North London, as a proper overgrown wildness where famous people are buried amid claws of ivy and ancient, cracked stones. George Elliot is there, as is Karl Marx whose tomb is marked by a spectacularly large image of himself. Myths surround Highgate, almost none of which have any basis in historical fact – tales of nefarious goings on beneath the trees, of mystic connotations and spooky events – and frankly, walking around the place, you can see why. To my mild irritation, there’s a £3 charge to enter the cemetery, and while I can see the need to preserve the grounds, in a way Highgate only really became famous, even a tourist attraction of a kind, when it became overrun and disturbed. There are also two Highgate Cemeteries – a Highgate East and a Highgate West – and to this day I’m not sure how you get into Highgate West – at least while still breathing. If you want to have an oddly similar experience of a place where nature has run wild, then Abney Park Cemetery in Stoke Newington provides a similar vibe, with the added benefit of no entry fee, and an option on cream teas afterwards…
But enough of words… let’s see if photos can give the gist.

This isn't actually in the cemetery, but you pass it on your way up the hill, and it gives a good idea of what's to come...

... while this one once again proves that being part of a secret order, doesn't necessarily need to cramp your style.

And finally, Karl Marx's tomb... starkly communist in style, perhaps, yet not very modest in execution...
Permanent link to this article: http://www.kategriffin.net/2012/01/07/highgate-cemetery/
Jan
04
I saw a film a few days ago, which ended with these words:
“Please use your liberty, to help promote ours.” It’s a quote from Aung San Suu Kyi, the leader of the Burmese National Democratic Party and the film was, appropriately enough, a biography of a large part of her life. I went to see the movie for a number of different reasons, not least the presence of Michelle Yeoh who, as readers of this blog may recall, is one of my idols along with Grommit (of Wallace and Grommit fame). Without wanting to say much about the film, I can comfortably reveal that I wept buckets, which is not something I’m prone to do.
The quote at the end was as much a statement about the woman it originated from, as it was about the movie itself. My life is, for the large part, comfortable, safe, secure, and the state is ethically obliged and socially expected to be looking out for my interests, even if I sometimes believe the methods that the state deploys and the ideology that it uses to decide how to look out for my interests, are flawed. It’s very easy, under such circumstances, to sit back and say, ‘isn’t it terrible what happens in…’ and there the thought process ends. The events on the other side of the world are, to most people in a hurry at nine a.m., as to nothing compared to the agony of trying to get on a crowded bus, or the indignation at a parking ticket – it can be hard to think yourself into another person’s shoes, let alone shoes that have walked such distant soils. Yet if the twenty first century brings anything, it is the technology to learn of a world beyond your own, and arguably, the act of knowledge brings with it a degree of obligation.
Permanent link to this article: http://www.kategriffin.net/2012/01/04/promotion-of-liberty/
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